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Miranda popkey topics of conversation7/11/2023 The narrator sips wine and, suddenly appalled by how little she knows about these women and. In a pivotal chapter of Miranda Popkey’s debut novel Topics of Conversation, the unnamed narrator joins a group of womensome coworkers, all new mothers, all singlefor an evening. The slim book is smart and raw, and Popkey dives head-on into difficult, well - how else to say it? - topics of conversation.' - The Washington Post You may also be interested in. Topics of Conversation Miranda Popkey Knopf January 7, 2020. 'Over the span of 20 years, an unnamed narrator has conversations with an eclectic set of women - conversations about shame and love, sexuality and power. ![]() Popkey writes about these emotional eddies with such thrilling detachment you'll wonder why you ever worried about love at all.' - Jenny Offill ![]() 'A pleasingly unsentimental novel about attraction and repulsion and the fluid line between the two. Our guess is that this book will be the topic of many conversations in 2020.' - Oprah Magazine It’s a slender volume with the power of lightning. In the moment, the novel is riveting, disturbing and thought-provoking. 'Each of the chapters in this exacting, exhilarating debut novel records a deeply intimate discussion. In the abstract, Topics of Conversation is about social and sexual power, anger, envy, pain, honesty, self-delusion and female identity. Miranda Popkey was angry when she began writing Topics of Conversation.It was 2017, on the cusp of the MeToo era, and focusing on writing felt selfish, says the author, who was earning her MFA at Washington University at the time. She joins the narrator one night on their hotel suites terrace, and, over wine and cigarettes, soliloquizes on her two marriages to older, esteemed professors. She depicts what it feels like to exist, actually live, at that intersection, which can so often bring about paralysis.' - The New Yorker ![]() 'Miranda Popkey's debut explores the paradox of longing to assert control and longing to lose it. 'Brilliant, thoughtful and compelling' - Sara Lawrence, The Daily Mail 'A sustained, Sally Rooney-esque brooding on our simultaneous but conflicting yearnings for autonomy and 'being a vessel for the desire of others' - The New York Times
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